9-8-16

Statement

"A good poem leaves you feeling more human".      - anon. / overheard

 

Notice here a few idea-layered paintings in oil & mixed media, followed by sculpture in selected materials,  presenting landscape-Inscape & architecture-inflected images and objects in a broad, graphic, textured palette, in a full range of colors and dimensions  --  reflecting a personal viw of a image-language interdependence . This interpretation enables my rethinking of personal & cultural challenges, I'd call them art-enabled-reassessments of chaos,  spontaneity, and thepossibility of inward order.  My WorkLife is --painting as a visually connective / evocative enterprise AND a personal shape-language world, with advanced and primitive forces from many perception levels, that meet each other in diplomacy & battle.  Painting is that conversation between thought and feeling,  an instrument of self creation & reckoning; personal, ruminative, & though yet invitational.  Noticing my own alertness brings about intimacy moment to moment.   At  once, a painter is both the story and the listener, seeing new evidence of a private, deeper Life.   A painting unfolds;  reason and arguments are assembled, affinities are noticed ...then personally elected;  previous thresholds of aesthetic courage are breached, alienation is temporarily diminished.   Insights take the form of marks, shapes, colors and arrangements. Self-unity is the origin and endpoint of the work, which is to convey an evolving world within myself. as a contribution to our shared world.

From an immersive research-oriented studio practice  -- a personal iconography has emerged: thought figurations in two and three dimensions that convey a robust interpretation of aesthetic attention & intention.    Aggregating compelling elements of a complex structural presence, the GEO-Figuration that undergirds these compositions concerns what?   open strength and endurance.  By way of foxy color, decisive internal density,  scale & proportion, these images illuminate a determined  ArtLife engagement in pressing visual detail.  Well beyond the unavoidable doubt & ambiguity that brings a bristling frisson to the graphic & spatial field of each painting, the art is a inquiry about collaborative meaning-creation (with the viewer):  it is a call & response relationship.  An urgent and personal domain of optimism and contribution when taken together-  my ImageWorld invites extended looking -outward & inward-  in the same extended moment of understanding.

 

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